Hi Miki and Kev.
Thought I’d drop by to see how your doing.
Also to find out if this site is still active.
Be a shame to waste all this content created over the years.
Any plans for this?
By Miki de Goodaboom
As I said in my last post, I have decided to reconnect with Cafe Crem, our wonderful Cyber Cafe for artists, musicians, photographers and writers. I hope I won’t be the only one here, although I know, as a very wise friend of mine said:
“Don’t expect too much from people!”
Anyway I just checked and saw that the last mug painting I published was my “Mobile Mug” on the … 12th of September 2010! My God, I can’t believe it is more than 3 years ago! Shame on me! But at least I was not inactive in that time, and my love of mugs is still alive: I have painted some new mugs from our fantastic and always growing mugs collection. Also, during a quite recent painting trip to Cyprus, I started a series of sketches showing the coffee mugs we get when we have a coffee break while we are travelling around.
So, speaking of love, there is nothing more natural than starting with my “Love Mugs”, a gift from Kevin to me for Valentines 2012.
I really adored them, they are just like Kevin and me: happy, funny, intertwined and…
hearts all over and around us!
By Miki de Goodaboom
Is anybody out there?
here is Miki… not sure if anybody is still around in our lovely Cyber Cafe “Cafe Crem”… probably not… except of course Kevin, who apparently comes here from time to time and tells the world about his music and the music he loves!
Well, I personally haven’t come for ages… there is nothing more depressing than an empty Café, and I had no idea how to try to bring it to life again. At the occasion, apart from Kevin, I would like to thank Shelley with all my heart, who has been so faithful and active all the time, from the very beginning…
Shelley… are YOU there?
I have a very special reason to come back today, but I hope I will come more often again. Since my last post, I have painted many new mugs, and I will gradually publish them here, together with their little story. But for now I want to present you the “Irina Bloom” Mug.
Irina Bloom is the heroine of the new book with the same name of Brazilian author Tamara Ramos. And is as well a painting by me. If you want to know how my girl landed on the cover of Tamara’s book, please go and read the story in my main blog. You can also read l’histoire d’Irina Bloom en français if you don’t understand English or find French language sexier!
Here is my original painting
As usual: mugs are a wonderful personalised gift, and Christmas is coming… does it ring a bell? So, if you want to purchase an Irina Bloom mug, please go to
So, this is it for today. Kevin and I would love to hear again from any of our Cafe Creamers if you are around. And if you have a new mug, with an interesting mug story, or anything else interesting in your life, just come to Cafe Crem and let us know!
SEE YOU SOON I HOPE!
As Mother’s Finest’s kick-starter campaign to enlist their fanbase in being a part of their first new album for 10 years heads into its final week, I thought it a good opportunity to tale a look back at their 2003 release ‘Meta-Funk’n-Physical’..
I remember the first time I listened to this track. I was anxious to get it home and put it on the player. ‘Funk-a-Wild‘ promises much and delivers even more. An insidious synth sequence starts a stealth-like groove, lulling you into a false sense of security before the riff hits you, dripping with the funk, the staccato bass…Baby Jean’s wonderfully provocative lyrics draw you in and suddenly you’re into the killer chorus. Your head’s banging, your foot’s tapping, and you’re still only on track one. Oh yeah, this is gonna get Meta-funk’n physical!
On ‘Bring it’ Mother’s Finest display their innate ability to throw damn near…
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Mother’s Finest, the legendary funk rock band from Atlanta Georgia, are asking YOU to participate in their bid to fund their first new album in 10 years. Visit their KICKSTARTER page to get involved!
Today, their guitarist Moses Mo released a video, detailing a brand new perk added to the bidding menu – the one-of-a-kind Mother’s Finest ‘shield’ guitar, built by Jordan guitars! Check out Moses’ video below and head over to the KICKSTARTER site to make your pledge.
BE PART OF FUNKIN’ HISTORY!
Further to my recent post about the resurgence of power trios, it was pointed out to me that my old band, TUBELESS HEARTS, was exactly that, particularly around the time we released our 1994 album ‘Three’ – still somewhat sought after by collectors. True, we expanded the remit somewhat when we recorded, utilizing keyboards on some songs, and guitar overdubs, but live we were a much more raw proposition, juxtaposing tracks from the album with hard-hitting rock standards such as ‘Won’t get fooled again’.
I discovered these pics while tidying the studio this morning, so I thought I’d dust them off and scan them.
It was a very creative time for me personally, and Fos and I wrote well together, and until I started working with Mike Koch on the new Witch Cross material, the only time I’ve had a good writing partnership. …
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It’s been a long time coming…but the power trio is back with a vengeance. That ‘perfect’ line-up of guitar, bass and drums is a staple of our rock history, just think Cream, The Jimi Hendrix Experience, Budgie, Rush, Trapeze, ZZ Top etc. The flag was flown briefly in later years by the likes of the very wonderful Kings X of course, but in recent years there have been too few of what, to this writer, is the perfect line-up.
There was a hint of what could be on the recent ‘Machine Head’ tribute, when the stellar line-up of Chad Smith, Steve Vai and Glenn Hughes did the unthinkable and blew the already wonderful ‘Highway star’ out of the water. (okay there’s some keys on there but whose counting!) I still nurse a dream that this might become a longer term association, but then…
…I recently bought the superb album by
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I’ve always been drawn to that bastard offspring of music – Funk Rock. Ever since a guy at my student’s union going by the unlikely name of Andy Starbuck took me aside and played me ‘Hot Wire’ by Trapeze. That led me to explore damn near everything Glenn Hughes had recorded, and in the late 70’s when I became a professional bassist and singer and went to tour for several years in Scandinavia, I discovered Mother’s Finest. Perhaps it’s the bassist in me that loves my riffs hot heavy and funky – but whatever the reason, I loved their mix of rock funk and blues, Baby Jean’s vocal screaming out over Mo’s sledgehammer riffs. When Brian Adams got Tina to sing on ‘It’s Only Love’, I was like “MF have been there and done that a decade before you dude!”.
Mother’s Finest are a pioneering, historically important band. And against…
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Last week, my partner Miki and I decided to sample some metal on ‘the other side of the curtain’, by attending the Leyendas del Rock festival in Villena, Spain, as concert-goers rather than as an appearing artist. Some Metal colleagues from Holland, the band PICTURE, were going to be on, ( we are appearing at the Very ‘Eavy Festival in Holland with them in 2014) – and that also gave us a chance to meet up with a mutual friend, Mark Oosterwijk, who had travelled from Holland with the band.
We arrived ahead of the crowd on the Wednesday night, in The Boomobile , our live-in music & art studio on wheels, and parked up in the middle of the campsite. By the morning, the gathering of metalheads had begun, and we were quickly surrounded by tents, vans, campers, and amazingly creative structures made from tarpaulines! It was hot and…
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Hot on the heels of the Cazorla Blues Festival comes the San Javier Jazz festival. The name is somewhat redundant, as Uriah Heep are appearing this year, and if they’re jazz then I’m a teapot. but, be that as it may, at least the festival, strung out over an entire month and situated in a town only a couple of hours away from where we live, affords the possibility of seeing world-class talent under the Spanish sun.
The night we picked featured Bettye LaVette, a singer who’d only come to my attention via Jools Holland’s BBC2 show ‘Later’, and who’d greatly impressed. As Bettye herself said on the night, “It’s only taken me 50 years to become an overnight success..” Approaching 70, she’s had a long, hard career in the music business, starting with her debut single in 1962: “My man-…
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